Saturday, October 24, 2009

October productivity, self-reflection, and a new approach towards painting

The last few months have been rather difficult for me. Along with the stress that has accompanied finalizing materials needed for graduate school admissions I've also had some nasty health problems which took me out of commission for almost two months. My health is good again and I found myself craving some marathon painting sessions.

I also found myself taking some time and reflecting back upon my life as well as my art. Since I am not much of a blogger, but more of a stream of consciousnesses kind of gal, I took a photo of myself and jotted down my observations in a posting to Flickr. Below is that photo and my observations:

Autobiography
Sitting in front of "Her blood was fire" from 2009. When I die, this piece is going to a man I love. It's already been written into my Will.

Lately I have been reflecting on my life. One thing that I cannot separate from myself is my art. I've painted since I was a child. My style has evolved since then but I still get asked the same questions such as “What were you thinking when you painted that?" and "What does it mean?" Typically I tell them what music I was listening to or what piece of art I was thinking about but really, my art is not about any of these things. It's about me or more specifically, my emotions. My art is what I cannot say, what I cannot find the words for, what I am feeling down to the core of my bones.

My art is me. It is all about me; every single piece, color, stroke, and wild gesture. It's all about me. I only paint myself. I never realized until today that I only paint self-portraits.



I think that it's only natural that since I'm on the verge of a major transition in my life which is being shaped by finally being healthy, seizure-free, and thus being able to finish graduate school, I've been asking myself some of the bigger questions. Many of these questions revolve around my self-identity, what I need and desire from life, as well as my belief systems.

That is how I came to paint "Mictecacihuatl" and "Medusa", two mythological women who are not protectors of beauty or of love, but instead represent death, feminine archetypes, and the darker side of humanity. I have to give credit to my good friend, Margaret Mroczek, for introducing the notion of painting mythological themes by utilizing my own personal twist. She has helped me greatly with understanding how I can incorporate themes that are typically portrayed figuratively into my own personal abstract language. She's an excellent artist and great to bounce ideas off.

For the first time since I've been painting abstracts, I "sketched out" these two works. I looked at art representing both of the mythological ladies and incorporated colors and gestures that seemed to epitomize their essence. I was quite please with the results and plan on approaching more work in this manner in the future.

I also produced other watercolors in my more normal manner which pretty much involves not thinking, but just painting to music. No thoughts only reactions.

I'm really looking forward to the next year. It is going to be filled with wonderful opportunities, a new life, a new home, and hopefully, a renewed love of painting.



Mictecacihuatl
watercolor on paper
Mictecacihuatl, 2009

Medusa
watercolor on paper
Medusa, 2009

A blessed curse
watercolor on paper
A blessed curse, 2009

What I find is mine
watercolor on paper
What I find is mine, 2009

Slow Climb
watercolor on paper
Slow climb, 2009


It just had to be
watercolor on paper
It just had to be, 2009


Bury your secrets
watercolor on paper
Bury your secrets, 2009

Sunday, September 20, 2009

Latest Paintings

She knew just what to do, 2009
watercolor on paper, approx 11" x 15"
She knew just what to do, 2009



Just keep it up, 2009
watercolor on paper, approx 11" x 15"
Just keep it up, 2009

Saturday, August 15, 2009

Evolution

I've been painting since I was a child. Granted, I mostly painted huge messes back then, but from the very first time I placed my hands in finger paints and then onto paper, I've always had a certain style; a certain movement to my pieces. Over the years I have refined some of my movements and gestures and have finally developed what I like to refer to as a visual language.

Look at any of my pieces and you will see that I have an authentic visual voice - a distinct style. I think part of becoming a artist, especially if you concentrate on abstractions, is finding your own series of movements that identify you.

I'm not sure if time has tempered my gestures or if it's more about responding to shapes that I like, but within the past year I feel like I have finally arrived at having a distinctive style. I finally feel comfortable in my artistic skin.

My latest works are just two examples of my visual vocabulary in action:

I'm getting close
watercolor on paper
14.75" x 11"
I'm getting close, 2009

We keep moving
watercolor on paper
16.75" x 12"
We keep moving, 2009

Wednesday, July 15, 2009

Latest Paintings

A love of hope
watercolor on paper
11" x 14 5/8"
A love of hope, 2009

Pray for warmth
watercolor on paper
11" x 14 5/8"
Pray for warmth, 2009

Melody
watercolor on paper
11" x 17.5"
Melody, 2009